The acclaimed musical “Kimberly Akimbo” opens at the Academy of Music in Philadelphia on October 3, 2023, featuring Ann Morrison in the titular role. The Tony-winning production explores themes of life, death, youth, and aging through the lens of a 16-year-old girl grappling with a rare genetic disease that accelerates her aging process, leaving her with the body of someone over seventy.
Morrison, who is just shy of turning seventy herself, describes her portrayal of Kimberly as both challenging and relatable. “I don’t have to act to understand this character. I only have to show up,” she remarks, highlighting the personal connection she feels to the role. This connection enriches the performance, as Morrison balances humor and depth, embodying a character that, despite her circumstances, yearns to enjoy the fleeting moments of youth.
In “Kimberly Akimbo,” written by David Lindsay-Abaire, the titular character faces the reality of her condition, which resembles progeria, a disease that drastically shortens life expectancy. Kimberly tells her best friend that she will reach the average life expectancy for her illness at age sixteen. Despite her impending fate, she clings to her youthful desires, seeking connection and adventure with her peers.
Morrison contrasts her own aging experience with that of Kimberly, noting that while the character is faced with existential concerns, she remains optimistic. “She doesn’t want to be a victim. She is optimistic,” Morrison adds. This optimism resonates throughout the musical, particularly in the poignant song “Before I Go,” where Kimberly confronts her reality and expresses a deep acceptance of her circumstances.
As part of her preparation for the role, Morrison has taken on physical challenges reminiscent of her youth. She recently returned to ice skating, a skill she hadn’t practiced since she was fifteen. “It’s part of the show, so I work to do it like I did when I was 15… then I’m reminded of my actual age,” she quips, emphasizing the humor found in her journey of self-discovery.
Morrison’s rich career spans decades, including originating the role of Mary Flynn in Stephen Sondheim’s “Merrily We Roll Along.” She has a reputation for her versatility, performing in various theaters across the country. Currently, she splits her time between performing and teaching acting, particularly focusing on solo performances, cabaret, and individual expressions.
Reflecting on her artistic journey, Morrison emphasizes the importance of storytelling in theater. “There is always a story to tell and ways to tell it,” she states. Her commitment to solo theater allows her to explore characters deeply, whether portraying a single individual or multiple personas.
Morrison expresses gratitude towards the production’s director, **Jessica Stone**, for encouraging her to find her unique interpretation of Kimberly. She also appreciates the camaraderie of her castmates, who welcomed her warmly when she joined the tour.
As the curtain rises on “Kimberly Akimbo,” audiences can expect a heartfelt exploration of youth and the complexities of growing older. The musical runs at the Academy of Music for two weeks as part of the Ensemble Arts Philly Broadway season, promising a blend of laughter, tears, and a resonant message about living life to the fullest, regardless of age or circumstance.
