The 29th edition of the Tallinn Black Nights Film Festival (PÖFF) in Estonia is set to begin on March 10, 2025, showcasing a diverse array of arthouse films and world premieres. Under the direction of festival head Tiina Lokk, this year’s lineup includes insightful documentaries and captivating narratives from both local and international filmmakers.
Among the intriguing selections is the observational documentary Electing Ms Santa, which follows the ambitions of Elena, a 42-year-old woman from a remote village in Moldova. As her country engages in discussions about joining the European Union, Elena dreams of becoming mayor. The film, directed by Raisa Răzmeriță, chronicles her efforts to uplift her community through initiatives like organizing clean-ups and supporting elderly residents, all while donning a Santa Claus costume to spread joy. Over seven years of filming, the documentary captures her struggle against societal expectations and familial pressures in pursuit of her dreams.
Another notable entry is The Baronesses, a film that features four grandmothers in Brussels who take on the challenge of performing Shakespeare’s Hamlet. Co-directed by Nabil Ben Yadir and his mother, Mokhtaria Badaoui, the story follows Fatima, who, after facing disappointment in securing a new home, decides to revive her long-held ambition of acting. This film promises a blend of empowerment and magical realism.
In a more unconventional narrative, Scarecrows explores the relationship between humans and wildlife at Riga International Airport in Latvia. Directed by Laila Pakalniņa, the film reveals the humorous yet serious efforts of “runway rangers” who attempt to control animal populations on the airport grounds amidst the chaos of jet engines and passenger traffic. Their comical yet critical battle against nature highlights the often-overlooked interactions between human infrastructure and wildlife.
Jumping into a more suspenseful realm, Interior, directed by Pascal Schuh, presents a chilling tale of a burglar who captures the private lives of unsuspecting homeowners through hidden cameras. The film raises unsettling questions about voyeurism and morality, pushing viewers to reflect on the boundaries between observation and invasion of privacy.
For those intrigued by the world of performance art, My Family and Other Clowns offers a glimpse into the life of children raised by famous clowns. This Estonian documentary reveals the challenges faced by the family of Haide and Toomas, who have entertained audiences for decades. Their children grapple with the absence of their parents while navigating their own aspirations, including the eldest daughter Emma, who must care for her autistic brother.
In a more dramatic vein, 18 Holes to Paradise, directed by João Nuno Pinto, tells the story of a family torn apart by conflict over their father’s house amidst a wildfire crisis. This Portuguese film intertwines personal and environmental struggles, highlighting the fragility of family relationships in the face of change and adversity.
Kyrgyz filmmaker Amanbek Azhymat brings humor to the festival with Backstage Madness, a slapstick comedy that explores the absurdities of the filmmaking process. It follows a 70-year-old director who continues to create bizarre characters while facing numerous challenges in his artistic pursuits. The film promises to entertain with its unique blend of comedy and commentary on the creative process.
Lastly, K-Poper, directed by Ebrahim Amin, addresses cultural clashes through the story of a teenage girl in Iran obsessed with K-pop. Her desire to attend a concert in Seoul is met with resistance from her conservative household, offering a poignant look at the intersections of culture, ambition, and familial expectations.
The Tallinn Black Nights Film Festival continues to be a platform for diverse voices and stories, shedding light on the complexities of human experience through innovative filmmaking. As it kicks off on March 10, audiences can look forward to a festival filled with captivating narratives that challenge conventions and inspire dialogue.
