Timothée Chalamet has made headlines not just for his performance in the upcoming film Marty Supreme, but also for his determination to showcase a memorable scene that includes a revealing moment. In a recent interview, co-star Kevin O’Leary disclosed that Chalamet was adamant about appearing nude in a specific scene, despite a body double being initially considered for the part.
The film, directed by Josh Safdie, is set to premiere in theatres on December 25, 2025. Following its debut at the 2025 New York Film Festival, Marty Supreme has garnered significant praise, particularly highlighting Chalamet’s performance.
O’Leary recounted how Chalamet insisted on performing a scene where his character, Marty, is spanked with a paddle by O’Leary’s character, Milton Rockwell. Originally, a body double was planned for this part, but Chalamet was determined to take it on himself. O’Leary recalled, “Timmy walked in [and] said, ‘No, it’s got to be my a**. I’m going to immortalize my a** on film in perpetuity.'”
This insistence on authenticity not only speaks to Chalamet’s commitment to his role but also adds a unique layer to the film’s narrative. The scene required a delicate balance of humor and intensity, and initially, O’Leary’s approach was deemed too soft for the film’s tone. However, after some adjustments, they captured a take that met the director’s expectations. O’Leary humorously described his final attempt, saying, “I wound up like a baseball bat, and I nailed his right cheek, and I think his eyeballs exploded out of his head, and that’s what you see.” He praised Chalamet as a “crazy trooper” for his willingness to commit to the scene.
Marty Supreme is not only notable for its bold performances but also features an impressive cast, including Gwyneth Paltrow, Odessa A’zion, Tyler Okonma, Abel Ferrara, and Fran Drescher. As anticipation builds for its release, audiences are eager to see how Chalamet’s dedication translates on screen.
With its blend of humor and raw emotion, Marty Supreme is poised to be a significant addition to Chalamet’s filmography and a noteworthy entry in contemporary cinema.
