Indie rapper and filmmaker Kosha Dillz, also known as Rami Even-Esh, recently shared his experiences performing during Hanukkah amidst a backdrop of heightened tensions and tragic events. Following the attacks on October 7, 2023, he expresses the complexities of maintaining joy in a season that traditionally represents celebration and community.
Performing during Hanukkah is often likened to a Jewish version of a music festival, akin to a “Coachella Week” for the community. Dillz noted that his songs, including “The Hanukkah Song ft. Nissim Black” and “Dreidel Dreidel,” have found their way into middle schools and family conversations. Despite the music industry’s typical slowdown during this season, Dillz has taken to the stage with fervor, participating in various events, from lively performances at high-end kosher venues to community gatherings.
His recent shows included a unique array of experiences, such as “latke vodka” nights and headlining at Hannukcon in New York City. These gatherings, often hosted by Chabad, a worldwide organization dedicated to Jewish outreach, have become increasingly significant as they provide a space for communal celebration. This year, however, those events have come with an air of caution following the tragic events that have affected the Jewish community.
One of the most poignant moments occurred during a menorah lighting in Bondi Beach, where 15 people were murdered. Such acts of violence have instilled fear in many, impacting attendance at community events. Dillz expressed concern over safety at performances, sharing his experience of performing with armed security present, a reality that reflects the broader societal issues faced by Jewish communities today.
In one instance, he performed for a crowd of 75 at Chabad of Loudoun in Ashburn, Virginia, where typically 400 attendees would gather. The presence of multiple armed guards highlighted the current climate of fear. Dillz questioned why Jewish events seem to garner more security compared to other performances, citing a recent show at Brooklyn Borough Hall that attracted nearly 500 attendees, necessitating extensive police presence.
The stark contrast between the visibility of menorahs, which are often chained for security, and the unrestrained display of Christmas trees is not lost on Dillz, who points out the disparity in how different faiths are treated in public spaces.
As he reflected on his performances, Dillz noted the emotional weight of the songs that resonated with attendees. Many in the audience were directly affected by violence, with stories of personal loss shared openly. He highlighted a moment when a fan approached him to express gratitude for his music, which provided solace during difficult times.
In the wake of October 7, Jewish musicians have been increasingly called upon for events aiming to inspire resilience among those affected. The need for uplifting music has never been more pronounced, as communities navigate their grief while striving to celebrate their heritage.
As Dillz continues to perform, he remains acutely aware of the challenges faced by Jewish communities. His recent engagements have included events addressing vandalism and solidarity gatherings, where he performed alongside diverse audiences, including an Imam who attended in support.
While Dillz acknowledges the abnormality of requiring security at community celebrations, he also recognizes that this has become a part of their new normal. He urges fellow musicians and industry members to reflect on these realities and consider how they can support Jewish artists and communities in their endeavors.
With a new film titled Bring The Family Home and ongoing commitments to his music career, Kosha Dillz continues to navigate a complex landscape while using his platform to uplift and inspire those around him. As he prepares for upcoming performances, including shows at Madison Square Garden, he remains dedicated to spreading joy and resilience through music.
